Original
DEFINITION
Any work considered to be an authentic example of the works of an artist, rather than a reproduction or imitation. The term excludes works produced "in the studio of" an artist, because that usually means that it was made by others, even if under the artist's influence or at his direction. This attribution must be qualified further, however, for workshop paintings in which there is evidence of the master's hand. Although they are less valued for various reasons, copies and reproductions have had tremendous impact on our experience, reaching greater audience than originals ever could, and they act as a tonic to commodification. Original may also mean the first, preceding all others. In that sense, it may refer to a prototype, a model after which other works are made, each bears great similarity to the first.Quote: "No one can be profoundly original who does not avoid eccentricity." Andr? Maurois (1885-1967), French author, critic. The Art of Writing, "Turgenev" (1960). Also see after, appropriation, art conservation, counterfeit, creativity, derivative, derived image, forgery, historicity, new, originality, paint-by-number, Promethean, simulacrum, and signature.<br><br>Any work considered to be an authentic example of the works of an artist, rather than a reproduction or imitation. The term excludes works produced "in the studio of" an artist, because that usually means that it was made by others, even if under the artist's influence or at his direction. This attribution must be qualified further, however, for workshop paintings in which there is evidence of the master's hand. Although they are less valued for various reasons, copies and reproductions have had tremendous impact on our experience, reaching greater audience than originals ever could, and they act as a tonic to commodification. Original may also mean the first, preceding all others. In that sense, it may refer to a prototype, a model after which other works are made, each bears great similarity to the first.Quote: "No one can be profoundly original who does not avoid eccentricity." Andr? Maurois (1885-1967), French author, critic. The Art of Writing, "Turgenev" (1960). Also see after, appropriation, art conservation, counterfeit, creativity, derivative, derived image, forgery, historicity, new, originality, paint-by-number, Promethean, simulacrum, and signature.