Blocking in


The simplifying and arranging of compositional elements using rough shapes, forms, or geometric equivalents when starting a painting.<br><br>Laying down the initial statement of a picture by a broad indication of line, color, and tone. After blocking in, artists typically develop their compositions from general to particular by ever-increasingly refining shapes, colors, textures, etc., until an artwork is finished.Also see abbozzo, sketch, and study.