Beaver hall group hall hill group
The Beaver Hall Group was an association of Quebec artists, which officially began its existence in 1920. Under the leadership of A.Y. Jackson, the group attracted and fostered the work of artists interested in the newest European trends and unconcerned about the consequences of cold-shouldering traditional approaches to subject representation. Remarkably, unlike its Ontario counterpart, the Group of Seven, the Beaver Hall Group had a large contingent of female artists, and though the Group prided itself on its eschewal of any bias-related to class, gender, or artistic preference, it seems to have been especially hospitable to women and proved an excellent springboard for their careers. The first group only existed for two years (1920 - 1922). It consisted of artists, most of whom had studios at 305 Beaver Hall Hill, Montreal. After the group disbanded for financial reasons, some of the women artists still used the studios. They were joined by other women artists and this group of painters was later to become known as The Beaver Hall Hill Group. The members of the original (formal) group were James Crockart, Jeanne de Cr??vec??ur, Adrien H??bert, Henri H??bert, Randolph S. Hewton, Edwin Holgate, Alexander Y. Jackson, John Y. Johnstone, Mabel Lockerby, Henrietta Mabel May, Darrell Morrissey, Lilias Torrance Newton, Hal Ross Perrigard, Robert Wakeman Pilot, Sarah M. Robertson, Sybil Robertson, Anne Savage, Adam Sheriff Scott, Regina Seiden and William Thurstan Topham. The second group included Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage and Ethel Seath. Sources: Jacques Des Rochers, Curator of Canadian Art, Mus??e des beaux-arts de Montr??al; and the book "The Women of Beaver Hall: Canadian Modernist Painters" (2005) by Evelyn Walters. Source: Written and submitted by M.D. Silverbrooke, Art Historian and Collector, West Vancouver, British Columbia.