All-over space


A type of space in modern painting characterized by the distribution of forms equally "all over" the picture surface, as opposed to the traditional composing method of having a focal point, or center of interest. In "all-over" space, the forms are seen as occupying the same spatial depth, usually on the picture plane; also, they are seen as possessing the same degree of importance in the painting. (In traditional painting, the focal point (or center of interest) is meant to be the most significant part of the painting, both visually and subject-wise, for instance, a portrait; whereas with "all-over" space, there is no one center of interest visually or subject-wise.) The Action painter, Jackson Pollock, was the first to use all-over (also called infinite) space, in his famous "drip" paintings of the 1940's and '50's, and this spatial concept has influenced most two-dimensional art since that time.